So, If you’re sitting down to write a sad song today, go all in and stir up some “Instant Melancholy.”įor additional details on the 4 Minor Chord Substitution, watch the video below. Listen how it springboards the emotion into the last chorus! We wrote it into the last chord of the bridge as a transitional chord to a new key.
I don’t know why you say good-bye I say hello Lady A Rocks the Instant Melancholy Chord Substitution…Ĭheck out my song “ One Day You Will,” sung by Lady A, for yet another use of the 4 minor chord. There are many more ways the instant melancholy chord can be used…but this one (4 maj – 4 min – 1) is an instant technique to try while developing or rewriting a melancholy song from your catalog. but essentially all we need to know as writers is that this combination of chords will pull on the listener’s heart strings! Of course, we could get into a long discussion on how the 4 minor substitution is borrowed from the parallel minor or about the chromatic movements, etc. Revisit any of your songs that end the chorus with 4 – 5 – 1 and substitute the 4 min chord for the 5 chord. This chord progression is the perfect mood alternative to the classic 4 – 5 – 1 chord progression: And, no chord progression captures this feeling better than the 4 major to 4 minor to 1.įor example, in the Key of C, that would be: You know that looking back, reminiscing feeling? Perhaps even a little bit of longing gets thrown in the mix. One of my favorite song “moods” is melancholic. We all understand that major chords sound bright and happy while minor chords often feel sad it’s in our musical DNA. So in choosing the right chords for a song, I listen for the the mood– or feeling-I’m getting from a chord. A melody can have a lot of different chord choices and progressions underneath it.
McCartney said that he and John Lennon simply called a G Major 7 th the “pretty chord.” So in that spirit, let’s discuss one of my favorite chords, one in particular I like to call the “Instant Melancholy” chord.Ĭhords play the role of “mood setter” in my songs. Let me give you an example: Paul McCartney wrote some of the biggest songs in musical history, and he once stated that when he wrote those hits, he couldn’t name a Major 7 th chord. Therefore, on the real-world streets of songwriting, practicality and effectiveness are where the rubber meets the road.
Now, I am not opposed to learning as much as possible about music, but I had just enough formal training at Berklee College of Music to get in my own way for a while! In the pro songwriting world where I’ve created in for the last two decades, theory is rarely discussed. He was looking for the theory behind it all. In my last Melody Masterclass for, an aspiring writer asked if I would explain why some substitutions work. Whether it was sneaking in a 2 Major Sus chord at the top of the pre-chorus for the #1 song “Don’t Think I Don’t Think About It” by Darius Rucker, or adding a 6 Major chord in the bridge of “Beautiful Mess” by Diamond Rio, my best successes come when I stretch boundaries and tastefully incorporate chord substitutions. Those songs found their way onto pop and country mainstream radio-two formats that, right or wrong, have a rap for simple chords. I’ve been blessed to get away with some interesting chord changes over the course of my songwriting career.